Medici Chapels

Name: Hotel Palazzo Benci
Address: Piazza Madonna degli Aldobrandini 3, Florence, Florence, 50123, Italy
Telephone: +39 055 213848

The Medici Chapels are two structures at the Basilica of San Lorenzo, Florence, Italy, dating from the 16th and 17th centuries, and built as extensions to Brunelleschi's 15th-century church, with the purpose of celebrating the Medici family, patrons of the church and Grand Dukes of Tuscany. The Sagrestia Nuova ("New Sacristy") was designed by Michelangelo. The larger Cappella dei Principi ("Chapel of the Princes"), though proposed in the 16th century, was not begun until the early 17th century, its design being a collaboration between the family and architects.

Uffizi

Galleria degli Uffizi is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling house of Medici died out, their art collections were gifted to the city of Florence under the famous Patto di famiglia negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. Today, the Uffizi is one of the most popular tourist attractions of Florence and one of the most visited art museums in the world.

Academy

The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600, the Trecento to the Late Renaissance. It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it.

Ponte

Ponte Vecchio

The Ponte Vecchio ("Old Bridge") is a medieval stone closed-spandrel segmental arch bridge over the Arno River, in Florence, Italy. It is noted for its shops built along it, as was once common. Butchers initially occupied the shops; the present tenants are jewelers, art dealers, and souvenir sellers. The Ponte Vecchio's two neighboring bridges are the Ponte Santa Trinita and the Ponte alle Grazie.

Basilica

Basilica of Saint Mary of the Flower

Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore; in English "Cathedral of Saint Mary of the Flower"), is the cathedral of Florence, Italy (Italian: Duomo di Firenze). It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome designed by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.

Piazza

Piazza della Signoria

Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio. It is the main point of the origin and history of the Florentine Republic and still maintains its reputation as the political focus of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Palazzo Vecchio and Piazza del Duomo and gateway to Uffizi Gallery.

Palazzo

Palazzo Strozzi

Palazzo Strozzi is an example of civil architecture with its rusticated stone, inspired by the Palazzo Medici, but with more harmonious proportions. Unlike the Medici Palace, which was sited on a corner lot, and thus has only two sides, this building, surrounded on all four sides by streets, is a free-standing structure. This introduced a problem new in Renaissance architecture, which, given the newly felt desire for internal symmetry of planning symmetry: how to integrate the cross-axis. The ground plan of Palazzo Strozzi is rigorously symmetrical on its two axes, with clearly differentiated scales of its principal rooms.